Michael Neil Cornubia

Born in Nottingham, UK, 5th January 1962. Studied music composition and technologies at Dartington College of Arts with Frank Denyer, Edward Cowie, David Prior and Gavin Bryars. Worked with French-Canadian Acousmatic composer Christian Calon, and with English composer Andrew Bentley at the Sibelius Academy Centre of Music & Technology in Helsinki, Finland. Commissioned by Derby Shakespeare Theatre Company to compose the incidental music for their production of The Tempest, to mark the 70th anniversary of Cornwalls Minack Theatre in 2002.

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synthmusicdirect. com - released Towards the Unknown Region, which demonstrated his growing interest in astronomical themes and a move towards more spacious textures and timbres in the synthesizer repertoire. In 2004 Neil graduated from Dartington College of Arts with a degree in music composition and technology that helped to define the next stage in his compositional exploration using state of the art software. This has led the composer to explore the world of Electroacoustic music where natural sound is often manipulated in order to develop the subtle nuances of sound itself. However, Neil has also explored synthesis within these parameters adding new depth to the palette of his sound world. From 2005 Neil has continued to explore his sound world and the presentation of his resulting work within the framework of a Master's Degree in Contemporary Music. Helsinki, a second home to the composer, is one of his preferred choices to explore further the themes that interest him. Technology is a cornerstone in his contemporary work, manipulating natural against synthesized sound. The creation of new scales of pitch derived from extraneous data sourced from the locations that inspire a composition is another facet of his work. Presentation rather than concert performance is Neils major concern in one of the ways he disseminates his work. Utilizing the electroacoustic practice of sound diffusion, he has defined his own presentation style as Static Sound Spatialisation: a subtle manipulation of pre-recorded music designed to mould itself into the space

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